Feeds:
Posts
Comments

Posts Tagged ‘Sony Alpha’

Mid-April is the time for flowering dogwoods and vast expanses of wild mustard growing in the fields all over Carroll County… later in the year, these fields will be planted with Soya beans or Corn, but for now, they are just a golden mass of flowers, gently swaying in the slightest breeze. The dogwoods are something to look forward to, as they appear just as the Cherry Blossoms and Magnolias are fading, and they are much more durable blossoms. April is also the time of heavy rainfall here in Maryland, and delicate blossoms like the cherry don’t hold up well. Here are some of the pictures I took in Gaithersburg, and along Rte 27 north of Mount Airy, on the road to Westminster, MD. Mostly flowering dogwoods and fields of mustard blossoms – and a few redbuds.


Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Redbud
Redbud
Redbud
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Pin Oak flower
Birch flower

Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Redbud
Dogwood and Mustard
Dogwood and Mustard
Thistle
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard
Dogwood and Mustard

Photographed with a Sony Alpha 700 and Sony 18-200mm f/3.5-6.3 Zoom lens. I used a Polarizer. Close-up of Pink dogwood photographed with a Sigma 50mm f/2.8 Macro 1:1 lens with Tiffen 812 warming filter



Creative Commons License
Alphamagic by Ajoy Muralidhar is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

text and images © 2007-2008 ajoy muralidhar. all product names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting alphamagic, have a great day!

Advertisements

Read Full Post »

I headed off to the Great Falls park last Saturday (02/02/08) to hike along the river and photograph the falls. It was beautiful out there… about 50 degrees – perfect hiking weather, although the trails and towpath were still muddy. I was carrying my Sony Alpha 700 and 2 lenses – a Sigma AF 28-80mm and the Tamron 70-300mm. The Tamron was for closeup views of the raging waters. The Sigma is a recent acquisition, and I was trying it out.

It’s still early in February, and we’ve already had a lot of rain in Montgomery county – the average rainfall for February is about 2.85 inches here, and by the 2nd, we already had about 3 inches…. Which means, every stream in the county is overflowing and that the Potomac is running full already. Normally, we’d have to wait until the Spring thaws.

Since my intent was to photograph the falls, I did not mind lugging along the heavy Tamron, but on my way over there, I was thinking about the most desirable characteristics for a hiking lens – good zoom range, rugged, light, cheap, close up capability etc. At the same time, the optical characteristics of the lens should be good enough that you don’t regret the quality of the pictures when you get back.

The more I thought about it, the Sigma I was carrying seemed to be the perfect fit. After all, it had a zoom range of 28-80mm, which is a 42-120mm on the Sony A700. Besides, it has a plastic body, which makes it lightweight. Great optical quality with multicoated aspherical lenses, very cheap so it would not matter if it was damaged or lost – and it has a 1:2 Macro capability, for those occasional very close-up shots of interesting grass or moss or little critters that I might come across.

I would have liked at least 35mm at the wide-angle, but I’ve found that in the open woodlands and hilly areas of Maryland , even a 50mm is sufficiently wide, since one can always step back a few paces to include more of the scene. The Sigma 28-80mm definitely qualified as a Cheap Awesome Lens. Some may complain about the “cheap” build quality – it’s plasticky – but one can’t fault it optically for the price.

The 1:2 macro capability is only at 80mm f/5.6 (120mm f/5.6 on the Sony Alpha 700) and is is a matter of moving a switch on the lens from Normal to Macro position to lock it. Now, f/5.8 is pretty slow, I was able to get decent images even at 100 ISO. I’m not complaining, since I can always increase the ISO to compensate. However, in Winter, with no overhead tree canopy and bright sunlight, it beats carrying an extra lens for the rare occasion one might want to take a real close up.
Here are some of the pictures at the Falls and along the Towpath. The river is very impressive this week.


The Tamron is a beast on the Sony Alpha 700 – it’s equivalent to 105mm-450mm and fairly fast for such a large focal length f/3.5 at the shorter end, and f/5.6 at the 450mm end. Fast enough to handhold at 100 ISO on a bright day. It’s a macro lens as well, and goes to 1:4 along the entire focal length range, which is pretty impressive. This is another Cheap Awesome Lens.Tamron 70-300mm– Potomac River and Towpath
Potomac River

Potomac River
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River

Potomac River 1/5 sec exposure
Potomac River
Potomac River
Potomac River
Potomac River
Potomac River

Sigma 28-80mm – Potomac River

Potomac River
Potomac River
Potomac River
Potomac River 1/5 second
Potomac River 1/5 second
Potomac River
Potomac River
Potomac River

Sigma 28-80mm Canal and Towpath

Canal and Towpath
Canal and Towpath
Canal and Towpath
Canal and Towpath
Canal and Towpath
Canal and Towpath – macro
Canal and Towpath
Canal and Towpath

Sigma 28-80mm Great Falls Tavern

Tavern
Tavern
Tavern
Tavern
Tavern
Tavern
Gate at Widewater
Great Falls

Sigma 28-80mm – Great Falls Tavern

Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern
Great Falls Tavern

Sigma 28-80mm – Canal and Towpath

Canal and Towpath
Canal and Towpath
Canal and Towpath
Canal and Towpath
Canal and Towpath
Canal and Towpath
Canal and Towpath

Sigma 28-80mm Macro Photos (approx 8-10 inches)

Sigma 28-80mm macro
Sigma 28-80mm macro
Sigma 28-80mm macro
Sigma 28-80mm macro
Sigma 28-80mm macro

Tamron 70-300mm


Great Falls
Great Falls
Great Falls
Great Falls
Great Falls
Great Falls
Great Falls
Great Falls
Great Falls
Great Falls
Great Falls
Great Falls

Tamron – Wildlife

Wildlife
Wildlife
Wildlife

Tamron

Lichens on Rock
Lichens
Wildlife

Photographed with a Sony Alpha 700, Sigma 28-80mm f/3.5-f/5.6 Aspherical Macro 1:2 and Tamron 70-300mm f/3.9-f5.6, ISO 100, Circular Polarizer.



Creative Commons License
Alphamagic by Ajoy Muralidhar is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

text and images © 2007-2008 ajoy muralidhar. all product names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting alphamagic, have a great day!

Read Full Post »

Anyone ever hear of D.O. Industries? I had never come across any lenses from them until I suddenly ran into this little beauty on EBay, going really cheap. It seemed to be an enlarger lens, but it had what appeared to be a T-mount type threaded mount. A quick email ( an even quicker response from the seller) confirmed that the diameter of the threaded end was indeed 42mm, so I took a chance on it and picked it up, since I was looking for a 135mm lens that would fit on my Spiratone Bellowscope.

I already have a nice Spiratone 150mm f/4.5 bellows lens, but I’m the curious type, and more than that, the name of the 135mm lens intrigued me. The lens itself is small, and solidly built – probably 4 element (maybe 6). Not sure if it is coated. The body looks old and appears to have seen much use, and the paint has faded, but nice glass. It was probably a workhorse lens on someone’s enlarger for many years. It even came with the retaining ring, which is rare these days.

I did a little bit of research on D.O. Industries, and here’s what I came up. Apparently they were an importer and distributor for Fujinon lenses, and they also sold lenses under their own name (rumor has it that D.O lenses are made by Fuji. The optical quality certainly seems to bear that out).

D.O. Industries was started by a gentleman by name David Goldstein in 1972. The company is still around. They are now called Navitar, and you can read their timeline here. I’m glad they’re still around. They seem to be doing well in the current digital era with new imaging products. Innovate, Evolve or Die, right? The photography marketplace is pretty ruthless, with old-timer companies closing down almost every day.

In case no one’s noticed, practically every 3rd party lens company had names ending with –AR. It seems to have been vogue with photographic companies back in the day. You see products with names such as Vivitar, Albinar, Astranar, Rokunar, Lentar, Kitstar, Macrotar and so on. I’ve often wondered why.

When I tried to fit the lens to a T-mount, I noticed that the thread, while being very close, was just not right. It seemed to be more like 41mm, but the pitch was OK. I got around this by wrapping a piece of light cotton sewing thread on the lens thread, and it works just fine. Curious. As long as it works, I am happy.

The advantage of using a longer focal length lens on the bellows is that it permits a longer “stand-off” distance. A short focal length lens (35mm, 40mm or 50mm) can give greater magnification, but the focusing distance is very short, which means that the light is cut off drastically, and one has to use supplemental lighting. The longer focal length bellows lenses (75mm, 135mm and 150mm) can focus from 18 inches to as far as 3 feet away, which lets a lot of ambient light get to the subject. Besides, there’s room for the tripod legs if the subject is 24 inches or more away.

Since I was trying out this lens indoors, I just used a pedestal lamp with the Sony’s WB setting to Tungsten lamp. I used a Auto ISO setting. The exposure was 1/5 to 1/8 second, and I was able to stop down to f/8 to increase the depth of field. If I were outdoors in natural sunlight, I would have used 100 ISO and a smaller aperture.

The tripod permits the longer exposure without shake. To avoid inadvertent camera shake during release, I used the Sony’s self timer setting (Drive Mode button, and then select self timer 10 seconds). This ensures that there is minimal shake. The Sony doesn’t have mirror lock-up, but it’s superbly damped. The mirror return ‘snap’ doesn’t seem to affect the image in any way.

For subjects, I used some of my wife’s traditional jewelry. Without more ado, here are the pictures

D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700
D.O. Industries 135mm f/4.5 on Alpha 700

The Bellows mounts to my Sony Alpha 700 with a standard Minolta AF-T mount adapter, and the whole thing goes on a cheap Velbon tripod. Nothing special. Here’s the setup.

D.O. Industries 135mm f/4.5 on Alpha 700 Setup
D.O. Industries 135mm f/4.5 on Alpha 700 Setup
D.O. Industries 135mm f/4.5 on Alpha 700 Setup

Photographed with a Sony Alpha 700 DSLR, D.O. Industries 135mm Emlarger lens (Fuji??) fitted on a Spiratone Bellowscope. Auto ISO with Tungsten light WB setting. Exposure was 1/5 second and 1/8 second at f/8 from a distance of about 24 inches. I used a Velbon Tripod.



Creative Commons License
Alphamagic by Ajoy Muralidhar is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

text and images © 2007-2008 ajoy muralidhar. all product names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting alphamagic, have a great day!

Read Full Post »

I happened on this location by chance, as I returned to Gaithersburg from Baltimore . I took 295 (Greenbelt parkway) on my way back, and got off the exit that leads to the Robert Kennedy Stadium – going around it, I soon found myself on C street, and all these beautiful buildings. There was plenty of parking, near the intersection of C street and 11th, and I lingered there for a few minutes before driving down west towards 10th, where I stopped for a few more minutes.

Winter is a great time for streetscapes and architectural photography, since the buildings in the older localities aren’t obscured by trees, as they normally would be in the Summertime. I was carrying the Sony A700 with the Sony 18-200mm lens, nothing fancy. The Sony lens (SAL 18200) is a great all-around lens, especially if you make a modest investment in a 62mm Circular Polarizer.

Zooms give a great deal of flexibility, but at the same time, the perspective varies from shot to shot. You don’t really notice it while shooting, since we’re so focused on getting the proper framing and composition, but later, when organizing, we find a wide range of focal lengths. Interesting, of course, but not easy to catalog.

I think street-photography is best with a zoom, but when recording specific architectural details, it may be better to use a fixed length 35mm or 50mm equivalent prime. I think I will go back again soon, and re-shoot some of the more interesting buildings with a 35mm equivalent prime as well (that would be a 24mm lens, which would give me 36mm on the A700).

Here are the photos from C street. The buildings are in perfect condition, and in the late afternoon sunlight, they look delicious.


C Street
C Street
C Street
C Street
C Street
C Street
C Street
C Street

C Street
C Street
C Street
C Street
C Street
C Street
C Street
C Street
C Street
C Street
C Street
C Street
C Street
C Street

Photographed with a Sony Alpha 700 and Sony 18-200mm f/3.5-6.3 lens with a Circular Polarizer.



Creative Commons License
Alphamagic by Ajoy Muralidhar is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

text and images © 2007-2008 ajoy muralidhar. all product names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting alphamagic, have a great day!

Read Full Post »

Happy New Year! As the first post for 2008, I thought I’d write a brief note on mounting all those beautiful vintage manual lenses on the Sony α 700. Most people know by now that all the Minolta AF and most 3rd party AF lenses made since 1985 can be used on the Sony Alpha series cameras without any problem (luckily for us, Sony retained the Minolta A mount).

What’s not as well known is the fact that all the great old vintage lenses out there can be used on the Sony Alpha series cameras as well. There are T-mounts or other adapters available with the Minolta A mount to mount the manual lenses to the Alpha 700 (and Alpha 100, of course).

There are many wonderful manual focusing lenses available everywhere – often for a few dollars, since most folks don’t know (or care) about the 3rd Party MANUAL focus lenses from the 60’s and 70’s – Vivitar, Kiron, Panagor, Soligor, Spiratone all made or marketed lenses for practically every camera mount, so there are a lot of choices, Of course, with the proper mount, you can also mount Canon, Nikon or Pentax M42 or K mount lenses. Personally, I favor my beautiful OEM Zuiko lenses… since they were originally built light and small, with superb optics and perfect for mounting on todays Digital SLRs.

There is just one thing to remember – whenever a lens is mounted on any AF camera, the camera usually recognizes the lens via the contacts at the back of the AF lens. Once the “lens mount check” is done, the camera recognizes the lens and communicates with it, allowing the shutter to operate. However, the old manual lenses have no contacts and thus there is nothing for the camera to recognize, so the shutter will not operate.

However, most cameras have an option buried deep within the documentation that tells you how to turn off the “lens check”. The Minolta AF/Sony FAQ has instructions for most of the Minolta AF models, but it’s not specific when it comes to the A700.

Here’s how to enable shutter operation on the Sony A700 with a manual lens mounted. On the Alpha 700 Menu, go to the Custom Menu #2 (the little Gear icon) and scroll down until you find a function called “Release w/o Lens” and change the Default to ENABLE (the default is DISABLE). Once that’s done, you can mount any lens, AF or Manual and the camera will meter and the shutter will fire normally.

Simple, huh? Thanks again, Sony and Minolta! I love my old lenses, and appreciate the backwards compatibility that permits the use of 60’s and 70’s optics on a modern Digital SLR.



Creative Commons License
Alphamagic by Ajoy Muralidhar is licensed under a
Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License.

text and images © 2007-2008 ajoy muralidhar. all product names, websites, brands and technical data referenced are the copyright or trademark of their respective owners. thank you for visiting alphamagic, have a great day!

Read Full Post »